1. 도입····················································································································3
2. 선행연구··············································································································3
3. 연구목적 및 가설··································································································5
4. 연구방법··············································································································5
본론
1. 설문조사 개요 ·································································································6
2. 설문조사 및 결과분석 ··············································································· 6
3. 질적 분석 ·························································································· 29
결론
1. 연구 결과 요약··································································································38
2. 연구의 시사점····································································································40
3. 연구의 한계점····································································································40
참고 문헌 및 자료··································································································41
+ 설문지
◆ 『디지털 영화의 미학』. 박성수. 문화과학사. 2001
◆ 『영화 관객의 주체구성과 욕망에 관한 연구』 이계숙. 연세대학교 대학원. 1994.
참고논문
◆ 조종흡 (2001) “장르, 헤게모니 그리고 관객”
◆ 조용준 (2001) “조폭 마누라는 볼만한 영화인가”
◆ 김승현 (1991) “비판 커뮤니케이션에 있어서 수용자”
◆ 주창윤 (1998) “해석적 패러다임”
◆ 홍재현 (2001) “영화 관객의 매체 수용 과정에 관한 연구”
'20대 관객 영화 취향'에 대한
보고서입니다.
방대한 조사입니다.
설문지까지 첨부했습니다.
성적은 당연히 A+이었습니다.

분야