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![[미술, 미학] Art in its life(by Paul Mattick) 서문-3](https://images.happyhaksul.com/thumb/187/186744-0003.gif)
![[미술, 미학] Art in its life(by Paul Mattick) 서문-4](https://images.happyhaksul.com/thumb/187/186744-0004.gif)
![[미술, 미학] Art in its life(by Paul Mattick) 서문-5](https://images.happyhaksul.com/thumb/187/186744-0005.gif)
![[미술, 미학] Art in its life(by Paul Mattick) 서문-6](https://images.happyhaksul.com/thumb/187/186744-0006.gif)
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![[미술, 미학] Art in its life(by Paul Mattick) 서문-15](https://images.happyhaksul.com/thumb/187/186744-0015.gif)
![[미술, 미학] Art in its life(by Paul Mattick) 서문-16](https://images.happyhaksul.com/thumb/187/186744-0016.gif)
![[미술, 미학] Art in its life(by Paul Mattick) 서문-17](https://images.happyhaksul.com/thumb/187/186744-0017.gif)
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![[미술, 미학] Art in its life(by Paul Mattick) 서문-20](https://images.happyhaksul.com/thumb/187/186744-0020.gif)
분야
docThe ten chapters that follow this introduction were first written, over about as many years, as lectures and essays for a variety of audiences and occasions. Assembled to form a book they present at once the problem of disjointedness and a tendency to repetition.
이 서문 다음에 나오는 10개의 장은 처음에는 다양한 청중들을 위한 강연들에 관하여 또 여러가지 사건들에 대한 짧은 저술들의 많은 숫자 만큼이나 오랜 세월들에 관하여 쓰여 졌다. 이 10개의 장은 오직 책으로 출간하기 위해 하나로 묶였기 때문에 지리멸렬함과 동일한 주제의 반복이라는 두 가지 문제가 동시에 담겨 있다.